Paul Chan's monumental projection Sade for Sade's Sake takes the work of the notorious pornographer and philosopher, the Marquis de Sade (1740-1814), as a departure point for a nearly six-hour-long rhythmic study of bodily ecstasy and bodily repetition. Chan brilliantly renders the foremost quality of Sade's pornography--its fanatical appetite not just for the identifying of sexual possibilities, but for their enumeration and classification--as a rhythmic play of silhouetted bodies that fragment into parts, recombine and atomize, in a mechanized copulation poised between manic repetition and wild abandon. This artist's book.
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Thursday, November 22, 2018
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